The ‘Making of’ The Conquest of Everest

With the 60th anniversary of the first ascent of Everest coming up on 29 May, our new title The Conquest of Everest takes a retrospective look at that legendary expedition through the photographs of the late George Lowe, the veteran mountaineer and explorer. Here is a selection of shots from the making of the book, compiled and annotated by author and Everest historian Dr Huw Lewis-Jones.

Proof spreads and a cuppa

‘The first ascent of Everest in the summer of 1953 was one of the twentieth-century’s greatest triumphs of exploration. George Lowe’s exploits on the mountain would become legendary. He was one of the lead climbers, forging the route up Everest’s Lhotse Face without oxygen, and later cutting steps for his partners up the summit ridge. He had ‘put up a performance’, so described the expedition leader John Hunt, ‘which will go down in the annals of mountaineering as an epic achievement of tenacity and skill’. For his own part, George was just happy to be on the mountain, playing his part in doing something he loved. In this new book, a trove of unpublished original photographs and other rare materials from the George’s personal collection are brought together for the first time. Stunning landscapes, candid portraits and action shots describe the day-by-day moments of this historic expedition as never before.

Huw and Liz with Everest materials

At home in Cornwall, with book proofs spread out on the kitchen table, designer Liz House and I direct the final layouts.

The original slide of the Everest summit picture

The most famous Everest photo of them all – taken by Ed Hillary on the top of the world. It is 11.30am on 29 May 1953. Tenzing stands on the summit of Everest and waves his ice-axe on which are hung the flags of Britain, Nepal, the United Nations and India. On reaching this sacred spot, Tenzing placed a packet of biscuits and a handful of lollies into a hole in the snow as a gift to the Gods. There is no summit shot of Ed as he never took one. Tenzing didn’t know how to use a camera, and, as Ed always joked, it didn’t seem like the right sort of place for a lesson. ‘You know, I’m probably the only Everest climber in the world who doesn’t have a big summit photograph of himself above the mantelpiece’, he once said, ‘and it doesn’t bother me one bit.’

Everest ascent in the news

After success on Everest, the expedition’s photographs appeared in newspapers across the globe. Ed Hillary returned from the mountain one of the most famous men in the world; not so for George, who happily managed to escape the limelight.

Original glass slides from the 1953 expedition

Original glass slides from the 1953 Everest expedition are gathered on my lightbox. All the photographs taken higher than the South Col were on 35mm colour film. Since then many black-and-white enlargements and prints have been made from these colour transparencies.

Kodak Retina II

George’s trusty Kodak Retina II – a companion on all his New Zealand climbs and later travels in the Himalaya and Antarctica. This camera took many of the images that appear in this new book. George was used to handling his Retina II in tough conditions and by Everest it was second nature. During the night, when forty degrees of frost and more were normal, he slept with it in his sleeping-bag to keep it warm. High on the mountain, with strong winds and extreme unpleasantness, he carried it round his neck, tucked inside his down jacket but ready to shoot at a moment’s notice. At high-altitude in snow he always kept it simple – shooting almost everything with a shutter speed of 1/100 s and an aperture of f/8 with a normal ultra-violet filter.

Martin Hartley with George's Kodak Retina II

Renowned adventure photographer Martin Hartley gets to grips with George Lowe’s Kodak camera. Martin helped me by creating new images of special objects – prints, maps, goggles, even George’s trusty ice-axe – all of which appear in The Conquest of Everest for the first time.

Contact prints

Contact prints of original photographs, many from the New Zealand 1951 expedition to the Garhwal Himalaya. This was the first of George and Ed Hillary’s many adventures together. Ed would later write that it was George who ‘set off the spark that finally got us both to the Himalayas’.

Original letters

Over the course of creating George’s Everest memoirs and gathering together materials from his rich lifetime of adventure, I came across a small bundle of letters at his house neatly tucked away at the bottom of an oak chest. Sometime later, another small cluster of dusty envelopes appeared, their distinctive red and blue edges calling out within a large stack of faded newspapers. Then, whilst slowly sorting through some old glass slides, a handful more were revealed. After a bit more rummaging, George’s wife Mary pulled a file down from a high shelf. Inside were yet more letters, including many that George had gathered when returning home to New Zealand after the Everest celebrations had quietened down. In time other members of his family also shared their memories and gradually a rare collection of correspondence came together.

Huw's daughter Nell helping out

My daughter Nell gives me a helping hand. As the granddaughter of polar explorer Sir Wally Herbert, it will not be long before little Nell joins me on an adventure. Not Everest though – more likely the Arctic, where her mum, author Kari Herbert grew up. For now, my next book for Thames & Hudson will celebrate another special chapter of George’s life: the crossing of Antarctica. It will be published in 2014.’

Find out more about Huw’s new book The Conquest of Everest over on our website.

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William Scott Centenary events

Full-Circle: William Scott Centenary Exhibition
(Enniskillen, 15 February – 31 August 2013)
For more information click here

William Scott: Divided Figure
(Hastings, 27 April – 10 July 2013)
For more information click here

William Scott: Catalogue Raisonné of Oil Paintings
(Wakefield, 25 May – 29 September 2013)
For more information click here

William Scott: Simplicity and Subject
(Bath, 7 September – 17 November 2013 )
For more information click here

Find out more about William Scott: Catalogue Raisonné of Oil Paintings by clickinghere

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VIDEO: Taxidermy is alive and well

Taxidermy is making a dramatic comeback across the arts, in fashion and jewelry design, and in advertising. Last week we visited Alexis Turner’s incredible studio in London to hear about the resurgence of interest in this rich art form, the subject of his forthcoming book Taxidermy.

More information about Taxidermy can be found on our website.

Posted in Design, Fashion, Lifestyle & Popular Culture, New Books, News, Our Authors, Our Books, Photography, Style & Interiors, Uncategorized, World of T&H | Tagged , , , , , | Leave a comment

Kids and parents discover contemporary art

Last week Jacky and Suzy Klein, the authors of What is Contemporary Art?, had a fantastic afternoon hosting a workshop at Cambridge Word Fest, getting children and their parents enthused about contemporary art. In this post, Jacky highlights some of the wonderful work produced by the participants.

‘First up, we asked for some old-fashioned audience participation, with ideas and words that ‘contemporary art’ brings to mind. We were overwhelmed by great suggestions, as seen here – everything from ‘serious’, ‘confusing’ and ‘rubbish’ to ‘crazy’, ‘catchy’ and ‘hypnotic’.

What does 'contemporary art' mean?

Then after a quick run-through some of the most unexpected materials that artists have used (elephant dung, crushed cars and chocolate among them) we looked at inventive techniques and the sort of playful, open-ended questions that artists today often like to pose.

Jacky & Suzy Klein

After that, it was time to find the next generation of artists in our very own audience! As we talked about everything from Yves Klein’s obsession with the colour blue to Cy Twombly’s unusual painting technique and Robert Morris’s floppy felt sculptures, the kids were asked to doodle on their handouts with their own ideas and pictures.

Francis Alys’s mysterious ‘Sign Painting Project’ – in which he invited Mexican sign-painters to copy his own original artwork – inspired lots of great words and pictures, with the children looking carefully to spot the differences between one painting and the next, as well as drawing their own versions, which ran from the funny to the surreal and abstract.

Francis Alÿs, Untitled, 1994

Vija Celmins’ artwork ‘To Fix the Image in Memory’ – also focusing on the idea of the original and copy – was another favourite, with the kids invited to work out which of her 22 stones were the 11 originals she had found on a walk in New Mexico and which were her meticulously painted 11 bronze copies. Not easy, we decided – but there was some careful looking and great guesswork in evidence!

Vija Celmins, To Fix the Image in Memory, 1977–82

We were delighted to have such an intelligent and energetic session with the bright young things of Cambridge – many of whom followed us afterwards to a book signing at Heffer’s next door.

Thanks to all for such a fun day!’

You can read more about Jacky and Suzy’s book What is Contemporary Art? on our website.

Image 5 credit: Francis Alÿs, Untitled, 1994 Oil on canvas and synthetic polymer paint on sheet metal, three panels, small panel by Francis Alÿs 31.8 x 25.4, medium panel by Emilio Rivera 91.4 x 71.4, large panel by Juan Garcia 120 x 91.4. Gift of Eileen and Peter Norton. Courtesy David Zwirner, New York

Image 6 credit: Vija Celmins, To Fix the Image in Memory, 1977–82 Stones and painted bronze, eleven pairs, dimensions variable Gift of Edward R. Broida in honour of David and Renee McKee. Photo Thomas Griesel. Courtesy McKee Gallery, New York.

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Launch of Things Come Apart

Last Thursday photographer Todd McLellan launched his fantastic new book Things Come Apart at the Paul Smith store in Milan. Here is a selection of his best shots of the evening.

And here is a video made by Todd of a piano falling through the air, piece by piece:

For more information about Things Come Apart, visit our website.

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Animation straight from the sketchbook

The forthcoming title Animation Sketchbooks takes readers inside the private sketchbooks of some of the world’s most inventive, innovative and admired contemporary animators. In this article, author Laura Heit profiles a selection of artists from the book and reveals the final fruits of their work.

Animation Sketchbooks

‘It is a rare thing that you get to see inside an artist’s sketchbook, so I count myself very lucky to have been able to spend the last two years combing through the wonderful, unseen pages of doodles, drawings, and pasted on bits-and-bobs that comprise the pages of animators’ visual diaries. These sketchbooks are the equivalent of a sleeper’s dream catcher – they are filled with an animator’s (often private and personal) scribbled-down skeletons and seeds of moving images and short films.

But while the drawings in these sketchbooks are static, they do tell the story of a process, revealing an artist’s mind uninhibited, and representing a place of rest between long hours of animating and/or working on the computer. In Animation Sketchbooks you will discover pages of character designs, storyboards, to-do lists, colour tests, train passenger sketches, and unconscious (drawing-while-talking-on-the-phone) doodles. This book contains an unprecedented collection of 50 animation artists’ personal sketchbooks.

What the book cannot show, however, is the magic of all of this passionate work coming to life. The following selection of clips will allow you to see beyond the pages and discover how those sketchbook doodles manifest in the artists’ final work.

Spanish artist Isabel Herguera took her sketchbook to India and filled it with colourful, layered and collaged images that became the basis of her film AMAR.

MONSTERS

walkingwithcow

According to Italian animator Simone Massi, it has taken him 20 years to produce 20 short films (totalling just 1 hour of animation), which have been created from 35,000 beautiful, dark drawings on paper. Have a look at his film Nuvole: Mani (Clouds: Hands):

Simone Massi - Tiny Sea

Canadian animator Malcolm Sutherland loves animation and is incredibly prolific. He sent me hundreds of pages from his sketchbooks, of which he has a multitude. It was incredibly hard to choose just a few to showcase in the book. He has worked for the National Film Board of Canada as well as produced films independently. Check out his film Umbra, which won best animated film on Vimeo last year.

American Fran Krause teaches animation at Cal Arts, works as a director on the new show Super F*ckers on Cartoon Hangover, and makes his own short films. His film The Nosy Bear was created entirely in a sketchbook – he shows you how here:

Sketchbook 456

Here this is the final product:

New York animation artist Jeff Scher makes films much like you would draw in sketchbooks, watercolour painting every frame as if it were a new page. He regularly makes short films to post to his New York Times online op-ed blog.

Jeff Scher Skratch Books

Japanese animator Mirai Mizue’s work is pure stream-of-consciousness. Abstract and deeply complex, his drawings reference the unseen micro world just below the surface of an imagined science. He is currently working on a film created and uploaded a second (24 drawings) a day to be completed April 2013.

British artist Stephen Irwin won the British Animation Awards prize for Best Short Film in 2010 for his visually inventive short Black Dog’s Progress. A film that is as clever and unpredictable, side-by-side flick books flip and repeat, building up a rhythm and slowly revealing a very sad story about a dog.

Allison Schulnik is a painter who feels at home amongst a wild mess of materials, whose imagery consists of shells, flowers, cats, and creatures who inhabit the goriest fairy tales. In her film Mound, thick and sticky paint transforms seamlessly into clay, bringing her paintings to life.

You can see more of these artists’ works on their websites:

Fran Krause
Simone Massi
Isabel Herguera
Malcolm Sutherland
Jeff Scher
Mirai Mizue
Stephen Irwin
Allison Schulnik

Animation Sketchbooks can be purchased from our website for £29.95

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Art of the Revolution

Photojournalist Mia Gröndahl’s new book Revolution Graffiti documents the rise of street art in Egypt during and after the 2011 revolution. Here, street art expert Tristan Manco introduces us to this dynamic and essential artistic movement.

Revolution Graffiti

For many urbanites, street art has become something more often associated with a gallery show or a clothing brand, but recent transformations in the geopolitical landscape have caused a reawakening of its authentic roots. Mia Gröndahl’s Revolution Graffiti charts the emergence of a powerful art movement that has spread across Egypt’s city walls with a heady mix of passion and optimism, ignited by the uprising that led to the revolution of 26 January 2011. The streets and squares that were filled with a sea of demonstrators soon became covered with murals and slogans that reflected the disparate feelings of anger, sorrow and euphoria. Today, Egyptian graffiti has grown into a strong social movement that allows ordinary citizens to communicate and acts as a visual expression of the revolution.

A Martyrs Mother, part of the mural at Mohamed Mahmoud Street by Ammar Abu Bakr

As the momentous events of the Arab Spring unfolded in the global media, we were first struck by the reported images of bravely defiant crowds, aerial views of teeming streets and films made by citizen journalists, uploaded to social media. Before too long, however, a different kind of imagery began to be emerge, that of graffiti. Newspapers and news channels such as The Guardian and the BBC began to publish photo stories of the flourishing graffiti that was both compelling and surprising. Graffiti had become part of the story, a symbol of a new-found freedom and a spontaneous way for people young and old to articulate what was happening at street level. It was also a demonstration of the power of art to encapsulate a tumultuous political landscape and visualize emotions more effectively than any number of column inches.

Revolution Girl, by El Teneen, Roxy Sq

The revolution has been a catalyst for unlocking latent creativity and free speech, which has in turn been embraced by a public eager for change. Within this landscape of defiant and largely untutored expression, the aesthetics are not as important as the message; however, many artists limited by materials or without training have produced work that is stunningly effective. Those graffiti artists who have an arts background, such as graphic designers and art students, have in turn brought an extra dimension to the scene. With a more global outlook, this new generation of Egyptian artists have used wall painting and stencilling as an opportunity to explore artistic freedom and to critique society.

Mural by Osama Abdel Moneim, Imbaba

For many, the Arab Spring became synonymous with the idea of a ‘Twitter revolution’. In the case of Egypt, the extensive use of social media is said to have played a crucial role in organizing the uprising against Mubarak. It is, however, people’s actions that create revolutions, not just their tools. For example, at one point, Mubarak’s regime pulled the plug on internet services and so forced demonstrators to replace Twitter with an analogue version – hand-held signs, spreading the word of the next gathering. Both analogue and digital have played their part in this revolution as graffiti has given people a city-wide stream of thought-provoking words and images that are then disseminated to a worldwide audience. It could be said that graffiti has become the truest form of social media – so welcome to the graffiti revolution!

Detail of a graffiti mural by Aya Tarek, Alexandria

Revolution Graffiti is available from our website for £16.95

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Thomas Kolster named ‘inspiration leader’

Thomas Kolster, author of Goodvertising, a book about how advertising can be a force for good, has been named ‘Inspiration leader’ in an article in the Huffington Post.

Thomas Kolster

Writing in the Huffington Post, 2morrowknight said, ‘Thomas wants to change the game – he believes that sustainability is a war that needs to be fought and that advertising is at its center.’

In response to the article Thomas said, ‘I was really humbled to be recognized as an ‘Inspirational Leader’ by The Huffington Post alongside great personalities such as author Ted Rubin, former Mayor of San Francisco Gavin Newsom, actress and humanitarian Alyssa Milano, philanthropist Beth Kanter and many, many more.’

Along with the book, Thomas has also created a website where people can create ‘chains of good’, spreading the message of Goodvertising via social media in exchange for pages from the book.

Chains of Good

Read more about Goodvertising here, or check out the Goodvertising Facebook and Twitter pages.

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Read an extract from The Wry Romance of the Literary Rectory

Read the introduction to the new book The Wry Romance of the Literary Rectory by Deborah Alun-Jones, which explores the lives of writers whose work was deeply influenced by the time they spent living in village rectories.

For more information, head to our website.

Read, comment on and share more book extracts on our ISSUU page.

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VIDEO: A Year in the Life of Face Hunter

We caught up with Yvan Rodic (AKA Face Hunter) at Paris Fashion Week to find out about his new book A Year in the Life of Face Hunter, an engaging travel diary that follows Yvan through more than thirty of his favourite cities on a typical year-long travelling session around the world. It captures his refreshing and intensely individual view of real fashion and real life in the world’s most exciting and creative cities.

Check out A Year in the Life of Face Hunter by clicking here.

A film made for Thames & Hudson by Douglas Ray and Kate Slotover

Posted in Fashion, Lifestyle & Popular Culture, New Books, News, Our Authors, Our Books, Style & Interiors, Travel, World of T&H | Tagged , , , , , , , , | Leave a comment
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